Copenhagen 1919: A young worker finds herself unemployed and pregnant. She meets Dagmar, who runs an underground adoption agency. Their bond grows stronger, but her world falls apart when she stumbles upon the shocking truth behind her work. Denmark’s official submission for Best International Feature Film. 2025 at the 97th Academy Awards. I loved the promise that society would be revealed as the real monster, not the people it destroyed. But telling the story through a character who is purely a victim takes the film away from that goal. This is not a social critique, where all the evil is focused on one villain and everyone else is excused for their good intentions. On the contrary, it was meant to show how, in such a brutal context, villainy and compassion are not so easily separated. The tone was also a bit more melancholic than anything else – leaving the viewer indifferent to what was happening on screen.
When a group of schoolchildren are taken hostage in Afghanistan, a U.S. soldier named Jake (Eva Green) joins an all-female commando unit to free them. The plan: gain the terrorists’ trust by posing as members of a relief organization. But crossovers, tragedies, and ghosts from Jake’s past complicate the rescue in this do-or-die mission.
Robert Eggers’ NOSFERATU is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in her wake.
Robert Eggers’ Nosferatu is a gothic tale of madness between a haunted young woman and the terrifying vampire obsessed with her, leaving behind unspeakable terror in her wake.
The action of the film “Complete Unknown” takes place on the influential New York music wall of the early 60s. It tells about the rapid rise of the 19-year-old musician from Minnesota, Bob Dylan, as a folk singer who reached concert halls and the top of the charts. His songs and mysteries became a world sensation. The culmination was his innovative performance in the style of electro rock and roll at the folk festival in Newport in 1965.
Elwood Curtis’s college dream is shattered along a two-lane Florida highway. Bearing the brunt of an innocent misstep, he is condemned to the hell of Nickel Academy, a brutal reformatory deep in the Jim Crow South. He meets another ward, Turner, who has seen it all. The two black teens form an alliance: Turner dispensing basic survival advice, Elwood clinging to his optimistic worldview. Against the backdrop of the burgeoning civil rights movement, Elwood and Turner’s lives seem far removed from the Reverend’s. Martin Luther King’s Burnished Oratory. Despite Nickel’s brutality, Elwood struggles to hold on to his humanity, awakening a new vision for Turner.
Sofia is a progressive and independent girl who is afraid of the word marriage. The only romances in her life are those of Jane Austen. That is until she is mysteriously transported to the 19th century. Presented by Jules i Jim (1962).
Plot: It ends in a fun and funny movie and one of those that you will really have a good time watching
This one surprised me quite a bit, and in a very good way, as most of what is fantasy and ‘what if’; the genre is said and is usually something very trite, except for the new audience that comes, but "Gone Girl" (“Lost”) actually had some interesting points to share, a bit of a new vision and a new presentation of some things despite many clichés that most of us know from romance novels and fantasy themes. It is based on a best-selling novel (which I have not read), so what attracted me were the fantastical themes and some of the names of the cast. It follows Sofia (Giovanna Grigio), a modern, independent woman, a huge fan of Jane Austen novels, who wishes her romantic life was like swooning over the noble, gentle Mr. Darcy type.
So the film offers an interesting juxtaposition of the period, the romance of classic novels in contrast to modern times, and how both can come together
But in the age of dating apps and hookups and romance takes a backseat, the dream is only real in books – or so she thinks – until she is transported to the 19th century in a place that feels like a mix of Brazil and England and racial diversity is fully accepted (I liked this, but it’s going to confuse a lot of people) and it’s there that she accidentally stumbles upon a young, handsome, respectable Ian Clarke (Bruno Montaleone). The rest is up to you to fill in the blanks as the confusion grows between creatures from different eras, different behaviors and social mores, and if there is any love at all. The production walls were amazing, from the costumes and art direction to the location (I’m not sure where it was filmed, the beautiful landscapes where Sofia and Ian ride horses), the package was well presented. And if there is to be said to be an urgent question of “Gone Girl” or at least the audience are those who feel exactly like Sofia, they live and cope with an incredible technological era, and have the ability to believe in love and marriage outside the social contract; but the era we have lacks human connection, real affection (as if Austen’s era was absolutely perfect).
if they ever come together
With those questions there is quite a bit of humor, the couple is very charming, as are the secondary characters: Ian’s sister (Nathália Falcão) was my favorite, delighted with the sunglasses and always helpful to Sofia. However, as a story that pokes fun at clichés, whether they be fantasy, literary or real-life clichés, “Gone Girl” is almost a waste of time for them, but it’s one of those things that always attracts viewers who love these themes, but scares away those who feel tired of repetition. It didn’t bother me too much and managed to surprise me with some things and the ending seemed pretty fair to me with everything presented. Fiction as fiction, but sometimes there are touches that border on reality.
Wai-Tung, a gay Taiwanese-American, agrees to marry Wei-Wei for a green card. When their parents come to visit for the wedding, Wai-Tung’s homosexuality is revealed, ultimately leading to his acceptance. Watch the full lineup for the 2025 Sundance Film Festival. Remake of Svadbeno slavlje (1993)
A grieving therapist begins telling his clients exactly what he thinks
Ignoring his training and ethics, he finds himself making major changes in people’s lives—including his own. Share the key moments that defined their characters in Season 1, and reveal who does the best Harrison Ford impression. When Brett Goldstein, Jason Segel, and Bill Lawrence were asked how they got Harrison Ford on the show, Segel said that Goldstein originally wanted a “Harrison Ford type” and would audition people who looked like Ford.
Featured on WatchMojo: The 10 Best TV Shows of 2023 (So Far) (2023)
Segel told Goldstein that they should at least bring him to Ford first, figuring he would turn it down outright, but at least other people would hear that Harrison Ford was offered the role, generating interest from other notable actors. In the end, Goldstein talked to Ford and sold him the role. Goldstein still doesn’t understand what he did to convince him, but he was elated nonetheless.
This show is amazing!!
The characters have grown so much in the first and second episode, the jokes are perfectly timed and executed and all the actors are doing an amazing job! This is one of the best episodes of ice axe I have seen in a long time! Harrison Ford does an amazing job in his supporting role and Jason Segal does an amazing job playing a flawed and damaged character who is trying to be a better person and father.
This show made me laugh like I haven’t in a long time
This is one of the best shows I have seen in a long time! As a psychology student, this show is hilarious and as a theater student, I can appreciate how well the script flows. I can’t understand the negative reviews because this is already one of my favorite shows after only two episodes.
